<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Open Source Artistry &#187; Film, Video, Television</title>
	<atom:link href="http://www.opensourceartistry.com/category/film-video-television/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.opensourceartistry.com</link>
	<description>Teach. Learn. Create.</description>
	<lastBuildDate>Sat, 21 Jan 2012 20:25:05 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.2.1</generator>
		<item>
		<title>Dr. Caligari&#8217;s Lasting Mark on the World of Film</title>
		<link>http://www.opensourceartistry.com/dr-caligari-lasting-mark-on-the-world-of-film/</link>
		<comments>http://www.opensourceartistry.com/dr-caligari-lasting-mark-on-the-world-of-film/#comments</comments>
		<pubDate>Sat, 21 Jan 2012 20:20:53 +0000</pubDate>
		<dc:creator>Aaron Howland</dc:creator>
				<category><![CDATA[Directing (Film, Video, TV)]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Film Theory, History, Criticism]]></category>
		<category><![CDATA[Film, Video, Television]]></category>
		<category><![CDATA[Producing (Film, Video, TV)]]></category>
		<category><![CDATA[Screenwriting]]></category>
		<category><![CDATA[Cabinet of Dr. Caligari]]></category>
		<category><![CDATA[German Expressionism]]></category>
		<category><![CDATA[German Expressionist Film]]></category>
		<category><![CDATA[Movie Review]]></category>
		<category><![CDATA[Weimar Cinema]]></category>

		<guid isPermaLink="false">http://www.opensourceartistry.com/?p=709</guid>
		<description><![CDATA[Warning: Contains Spoilers If you were to discuss German Expressionism in film circles, it&#8217;s doubtful the conversation would go more than two minutes without someone mentioning The Cabinet of Dr. Caligari (1920). In addition to the fact that it&#8217;s one of the earliest films of the genre, it&#8217;s one of the most marked examples of [...]]]></description>
		<wfw:commentRss>http://www.opensourceartistry.com/dr-caligari-lasting-mark-on-the-world-of-film/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Movie Review: Pandora&#8217;s Box (1929)</title>
		<link>http://www.opensourceartistry.com/movie-review-pandoras-box-1929/</link>
		<comments>http://www.opensourceartistry.com/movie-review-pandoras-box-1929/#comments</comments>
		<pubDate>Fri, 06 Jan 2012 23:14:15 +0000</pubDate>
		<dc:creator>Aaron Howland</dc:creator>
				<category><![CDATA[Directing (Film, Video, TV)]]></category>
		<category><![CDATA[Editing (Film, Video, TV)]]></category>
		<category><![CDATA[Education (Film, Video, TV)]]></category>
		<category><![CDATA[Film Theory, History, Criticism]]></category>
		<category><![CDATA[Film, Video, Television]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[German Expressionism]]></category>
		<category><![CDATA[German Expressionist Film]]></category>
		<category><![CDATA[Movie Review]]></category>
		<category><![CDATA[Weimar Cinema]]></category>

		<guid isPermaLink="false">http://www.opensourceartistry.com/?p=687</guid>
		<description><![CDATA[Warning: Contains Spoilers Many films of the German Expressionist era are stories of monsters and supernatural villains. Nosferatu, The Cabinet of Dr. Caligari, and The Golem are prime examples. Pandora&#8217;s Box (1929), more like Fritz Lang&#8217;s M, focuses directly on the evils that come from extreme human desire and uncontrolled behavior. Pandora&#8217;s Box is the [...]]]></description>
		<wfw:commentRss>http://www.opensourceartistry.com/movie-review-pandoras-box-1929/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Filmmaking Lessons from Paul Wegener&#8217;s The Golem (1920)</title>
		<link>http://www.opensourceartistry.com/filmmaking-lessons-from-paul-wegeners-the-golem-1920/</link>
		<comments>http://www.opensourceartistry.com/filmmaking-lessons-from-paul-wegeners-the-golem-1920/#comments</comments>
		<pubDate>Wed, 07 Dec 2011 18:08:52 +0000</pubDate>
		<dc:creator>Aaron Howland</dc:creator>
				<category><![CDATA[Directing (Film, Video, TV)]]></category>
		<category><![CDATA[Editing (Film, Video, TV)]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Film Theory, History, Criticism]]></category>
		<category><![CDATA[Film, Video, Television]]></category>
		<category><![CDATA[Film Studies]]></category>
		<category><![CDATA[German Expressionism]]></category>
		<category><![CDATA[German Expressionist Film]]></category>
		<category><![CDATA[Student Film]]></category>
		<category><![CDATA[Weimar Cinema]]></category>

		<guid isPermaLink="false">http://www.opensourceartistry.com/?p=671</guid>
		<description><![CDATA[Warning: Contains Spoilers The Golem (1920), directed by Paul Wegener and Carl Boese, is a retelling of the Jewish story from the 1500s about a rabbi who creates a man from clay&#8212;the Golem&#8212;and brings him to life. Rabbi Löw&#8217;s intent is to use the Golem to protect the Jewish citizens of the Prague ghetto from [...]]]></description>
		<wfw:commentRss>http://www.opensourceartistry.com/filmmaking-lessons-from-paul-wegeners-the-golem-1920/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Book Review: Weimar Cinema, 1919-1933</title>
		<link>http://www.opensourceartistry.com/book-review-weimar-cinema-1919-1933/</link>
		<comments>http://www.opensourceartistry.com/book-review-weimar-cinema-1919-1933/#comments</comments>
		<pubDate>Mon, 07 Nov 2011 16:54:53 +0000</pubDate>
		<dc:creator>Aaron Howland</dc:creator>
				<category><![CDATA[Education (Film, Video, TV)]]></category>
		<category><![CDATA[Film Theory, History, Criticism]]></category>
		<category><![CDATA[Film, Video, Television]]></category>
		<category><![CDATA[Non-Fiction]]></category>
		<category><![CDATA[Writing]]></category>
		<category><![CDATA[German Expressionism]]></category>
		<category><![CDATA[German Expressionist Film]]></category>
		<category><![CDATA[German film]]></category>
		<category><![CDATA[Weimar Cinema]]></category>

		<guid isPermaLink="false">http://www.opensourceartistry.com/?p=649</guid>
		<description><![CDATA[Laurence Kardish&#8217;s Weimar Cinema, 1919-1933 is an excellent resource for cinephiles new to the German Expressionist film movement and German Expressionist enthusiasts looking for an encyclopedia of films from the genre. The book is broken up into two sections: the first is a collection of essays about the German Expressionist film aesthetic and discusses competing [...]]]></description>
		<wfw:commentRss>http://www.opensourceartistry.com/book-review-weimar-cinema-1919-1933/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Illusion of Art as Individual Expression</title>
		<link>http://www.opensourceartistry.com/the-illusion-of-art-as-individual-expression/</link>
		<comments>http://www.opensourceartistry.com/the-illusion-of-art-as-individual-expression/#comments</comments>
		<pubDate>Tue, 23 Aug 2011 04:17:58 +0000</pubDate>
		<dc:creator>Aaron Howland</dc:creator>
				<category><![CDATA[Film, Video, Television]]></category>
		<category><![CDATA[Web Development]]></category>
		<category><![CDATA[Writing]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[Arts]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Philosophy]]></category>
		<category><![CDATA[Society]]></category>

		<guid isPermaLink="false">http://www.opensourceartistry.com/?p=630</guid>
		<description><![CDATA[Much of the artistic process takes place alone. Writers sit alone in a room and type away on a computer or scribble on a pad of paper. Photographers take photos of other people, but afterward, their work is often done alone in a darkroom or on a computer. Sculptors sketch live models, but later they [...]]]></description>
		<wfw:commentRss>http://www.opensourceartistry.com/the-illusion-of-art-as-individual-expression/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Making Sense of New Concepts in Technology and Media</title>
		<link>http://www.opensourceartistry.com/making-sense-of-new-concepts-in-technology-and-media/</link>
		<comments>http://www.opensourceartistry.com/making-sense-of-new-concepts-in-technology-and-media/#comments</comments>
		<pubDate>Tue, 21 Jun 2011 23:30:55 +0000</pubDate>
		<dc:creator>Aaron Howland</dc:creator>
				<category><![CDATA[Education]]></category>
		<category><![CDATA[Film, Video, Television]]></category>
		<category><![CDATA[Web Development]]></category>
		<category><![CDATA[brain function]]></category>
		<category><![CDATA[learning]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[technology]]></category>

		<guid isPermaLink="false">http://www.opensourceartistry.com/?p=574</guid>
		<description><![CDATA[Have you ever thought you understood someone else’s instructions only to find out later that you needed to hear them again? Have you ever thought you grasped a concept only to find yourself struggling to explain it to someone else? Well, take heart. These experiences, while frustrating at times, are a natural part of the [...]]]></description>
		<wfw:commentRss>http://www.opensourceartistry.com/making-sense-of-new-concepts-in-technology-and-media/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Filmmakers: What to Expect from Your First Film Festival</title>
		<link>http://www.opensourceartistry.com/filmmakers-what-to-expect-from-your-first-film-festival/</link>
		<comments>http://www.opensourceartistry.com/filmmakers-what-to-expect-from-your-first-film-festival/#comments</comments>
		<pubDate>Mon, 23 Nov 2009 14:38:16 +0000</pubDate>
		<dc:creator>Aaron Howland</dc:creator>
				<category><![CDATA[Directing (Film, Video, TV)]]></category>
		<category><![CDATA[Film, Video, Television]]></category>
		<category><![CDATA[Independent (Film, Video)]]></category>
		<category><![CDATA[Producing (Film, Video, TV)]]></category>
		<category><![CDATA[directing]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[film festivals]]></category>
		<category><![CDATA[film screenings]]></category>
		<category><![CDATA[filmmaker]]></category>
		<category><![CDATA[indie film]]></category>
		<category><![CDATA[producing]]></category>

		<guid isPermaLink="false">http://www.opensourceartistry.com/?p=360</guid>
		<description><![CDATA[You&#8217;ve finally done it. You&#8217;ve made a film &#8212; most likely a short &#8212; and you&#8217;ve been accepted to your first film festival. So, what should you expect? Well, first thing&#8217;s first. I don&#8217;t want to burst your bubble (after all, getting screened at a film festival is a big deal &#8212; it really is) [...]]]></description>
		<wfw:commentRss>http://www.opensourceartistry.com/filmmakers-what-to-expect-from-your-first-film-festival/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>What&#8217;s an Ethnic Actor To Do About Typecasting?</title>
		<link>http://www.opensourceartistry.com/whats-an-ethnic-actor-to-do-about-typecasting/</link>
		<comments>http://www.opensourceartistry.com/whats-an-ethnic-actor-to-do-about-typecasting/#comments</comments>
		<pubDate>Fri, 14 Aug 2009 02:25:08 +0000</pubDate>
		<dc:creator>Albert M. Chan</dc:creator>
				<category><![CDATA[Acting (Film, Video, TV)]]></category>
		<category><![CDATA[Directing (Film, Video, TV)]]></category>
		<category><![CDATA[Film, Video, Television]]></category>
		<category><![CDATA[Independent (Film, Video)]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[casting]]></category>
		<category><![CDATA[ethnic]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[minority]]></category>
		<category><![CDATA[race]]></category>
		<category><![CDATA[stereotype]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[typecasting]]></category>

		<guid isPermaLink="false">http://www.opensourceartistry.com/?p=290</guid>
		<description><![CDATA[One of the big complaints I hear from ethnic actors is the problem of typecasting. A Latina actress friend of mine once told me about the problems she was having with a director. &#8220;He didn&#8217;t have to explicitly say it, but I knew that he wanted me to be that sassy, finger-snapping Latina with attitude,&#8221; [...]]]></description>
		<wfw:commentRss>http://www.opensourceartistry.com/whats-an-ethnic-actor-to-do-about-typecasting/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>5 Tips to Get the Best out of an Onscreen Interview</title>
		<link>http://www.opensourceartistry.com/5-tips-to-get-the-best-out-of-an-onscreen-interview/</link>
		<comments>http://www.opensourceartistry.com/5-tips-to-get-the-best-out-of-an-onscreen-interview/#comments</comments>
		<pubDate>Mon, 20 Apr 2009 19:34:04 +0000</pubDate>
		<dc:creator>Aaron Howland</dc:creator>
				<category><![CDATA[Directing (Film, Video, TV)]]></category>
		<category><![CDATA[Documentary (Film, Video)]]></category>
		<category><![CDATA[Independent (Film, Video)]]></category>
		<category><![CDATA[Journalism (TV)]]></category>
		<category><![CDATA[Producing (Film, Video, TV)]]></category>
		<category><![CDATA[directing]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[producing]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://www.opensourceartistry.com/?p=110</guid>
		<description><![CDATA[Hi, all.  Sorry about the long gap between posts. I’ve had a lot of freelance work lately, so my schedule’s been overbooked.  Things are starting to calm down a little, though, so I’m hoping to post more regularly. Despite the fact that camcorders and digital cameras are commonplace these days, most people grow quickly uncomfortable [...]]]></description>
		<wfw:commentRss>http://www.opensourceartistry.com/5-tips-to-get-the-best-out-of-an-onscreen-interview/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How Not to Be Another YouTube Idiot</title>
		<link>http://www.opensourceartistry.com/how-not-to-be-another-youtube-idiot/</link>
		<comments>http://www.opensourceartistry.com/how-not-to-be-another-youtube-idiot/#comments</comments>
		<pubDate>Sun, 04 Jan 2009 21:37:03 +0000</pubDate>
		<dc:creator>Aaron Howland</dc:creator>
				<category><![CDATA[Education (Film, Video, TV)]]></category>
		<category><![CDATA[Independent (Film, Video)]]></category>
		<category><![CDATA[directing]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[film school]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[youtube]]></category>

		<guid isPermaLink="false">http://www.opensourceartistry.com/?p=98</guid>
		<description><![CDATA[What&#8217;s Your Goal? Have you ever picked up an instrument and assumed you knew how to play without any instruction or practice? Have you ever thought to yourself, “Well, I don’t have any real experience, but I could probably be in an opera.” I certainly hope the answer is no. Why, then, do so many [...]]]></description>
		<wfw:commentRss>http://www.opensourceartistry.com/how-not-to-be-another-youtube-idiot/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

