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	<title>Open Source Artistry &#187; Directing (Film, Video, TV)</title>
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	<description>Teach. Learn. Create.</description>
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		<title>Dr. Caligari&#8217;s Lasting Mark on the World of Film</title>
		<link>http://www.opensourceartistry.com/dr-caligari-lasting-mark-on-the-world-of-film/</link>
		<comments>http://www.opensourceartistry.com/dr-caligari-lasting-mark-on-the-world-of-film/#comments</comments>
		<pubDate>Sat, 21 Jan 2012 20:20:53 +0000</pubDate>
		<dc:creator>Aaron Howland</dc:creator>
				<category><![CDATA[Directing (Film, Video, TV)]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Film Theory, History, Criticism]]></category>
		<category><![CDATA[Film, Video, Television]]></category>
		<category><![CDATA[Producing (Film, Video, TV)]]></category>
		<category><![CDATA[Screenwriting]]></category>
		<category><![CDATA[Cabinet of Dr. Caligari]]></category>
		<category><![CDATA[German Expressionism]]></category>
		<category><![CDATA[German Expressionist Film]]></category>
		<category><![CDATA[Movie Review]]></category>
		<category><![CDATA[Weimar Cinema]]></category>

		<guid isPermaLink="false">http://www.opensourceartistry.com/?p=709</guid>
		<description><![CDATA[Warning: Contains Spoilers If you were to discuss German Expressionism in film circles, it&#8217;s doubtful the conversation would go more than two minutes without someone mentioning The Cabinet of Dr. Caligari (1920). In addition to the fact that it&#8217;s one of the earliest films of the genre, it&#8217;s one of the most marked examples of [...]]]></description>
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		<title>Movie Review: Pandora&#8217;s Box (1929)</title>
		<link>http://www.opensourceartistry.com/movie-review-pandoras-box-1929/</link>
		<comments>http://www.opensourceartistry.com/movie-review-pandoras-box-1929/#comments</comments>
		<pubDate>Fri, 06 Jan 2012 23:14:15 +0000</pubDate>
		<dc:creator>Aaron Howland</dc:creator>
				<category><![CDATA[Directing (Film, Video, TV)]]></category>
		<category><![CDATA[Editing (Film, Video, TV)]]></category>
		<category><![CDATA[Education (Film, Video, TV)]]></category>
		<category><![CDATA[Film Theory, History, Criticism]]></category>
		<category><![CDATA[Film, Video, Television]]></category>
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		<guid isPermaLink="false">http://www.opensourceartistry.com/?p=687</guid>
		<description><![CDATA[Warning: Contains Spoilers Many films of the German Expressionist era are stories of monsters and supernatural villains. Nosferatu, The Cabinet of Dr. Caligari, and The Golem are prime examples. Pandora&#8217;s Box (1929), more like Fritz Lang&#8217;s M, focuses directly on the evils that come from extreme human desire and uncontrolled behavior. Pandora&#8217;s Box is the [...]]]></description>
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		<title>Filmmaking Lessons from Paul Wegener&#8217;s The Golem (1920)</title>
		<link>http://www.opensourceartistry.com/filmmaking-lessons-from-paul-wegeners-the-golem-1920/</link>
		<comments>http://www.opensourceartistry.com/filmmaking-lessons-from-paul-wegeners-the-golem-1920/#comments</comments>
		<pubDate>Wed, 07 Dec 2011 18:08:52 +0000</pubDate>
		<dc:creator>Aaron Howland</dc:creator>
				<category><![CDATA[Directing (Film, Video, TV)]]></category>
		<category><![CDATA[Editing (Film, Video, TV)]]></category>
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		<category><![CDATA[Film Studies]]></category>
		<category><![CDATA[German Expressionism]]></category>
		<category><![CDATA[German Expressionist Film]]></category>
		<category><![CDATA[Student Film]]></category>
		<category><![CDATA[Weimar Cinema]]></category>

		<guid isPermaLink="false">http://www.opensourceartistry.com/?p=671</guid>
		<description><![CDATA[Warning: Contains Spoilers The Golem (1920), directed by Paul Wegener and Carl Boese, is a retelling of the Jewish story from the 1500s about a rabbi who creates a man from clay&#8212;the Golem&#8212;and brings him to life. Rabbi Löw&#8217;s intent is to use the Golem to protect the Jewish citizens of the Prague ghetto from [...]]]></description>
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		<title>Filmmakers: What to Expect from Your First Film Festival</title>
		<link>http://www.opensourceartistry.com/filmmakers-what-to-expect-from-your-first-film-festival/</link>
		<comments>http://www.opensourceartistry.com/filmmakers-what-to-expect-from-your-first-film-festival/#comments</comments>
		<pubDate>Mon, 23 Nov 2009 14:38:16 +0000</pubDate>
		<dc:creator>Aaron Howland</dc:creator>
				<category><![CDATA[Directing (Film, Video, TV)]]></category>
		<category><![CDATA[Film, Video, Television]]></category>
		<category><![CDATA[Independent (Film, Video)]]></category>
		<category><![CDATA[Producing (Film, Video, TV)]]></category>
		<category><![CDATA[directing]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[film festivals]]></category>
		<category><![CDATA[film screenings]]></category>
		<category><![CDATA[filmmaker]]></category>
		<category><![CDATA[indie film]]></category>
		<category><![CDATA[producing]]></category>

		<guid isPermaLink="false">http://www.opensourceartistry.com/?p=360</guid>
		<description><![CDATA[You&#8217;ve finally done it. You&#8217;ve made a film &#8212; most likely a short &#8212; and you&#8217;ve been accepted to your first film festival. So, what should you expect? Well, first thing&#8217;s first. I don&#8217;t want to burst your bubble (after all, getting screened at a film festival is a big deal &#8212; it really is) [...]]]></description>
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		<title>What&#8217;s an Ethnic Actor To Do About Typecasting?</title>
		<link>http://www.opensourceartistry.com/whats-an-ethnic-actor-to-do-about-typecasting/</link>
		<comments>http://www.opensourceartistry.com/whats-an-ethnic-actor-to-do-about-typecasting/#comments</comments>
		<pubDate>Fri, 14 Aug 2009 02:25:08 +0000</pubDate>
		<dc:creator>Albert M. Chan</dc:creator>
				<category><![CDATA[Acting (Film, Video, TV)]]></category>
		<category><![CDATA[Directing (Film, Video, TV)]]></category>
		<category><![CDATA[Film, Video, Television]]></category>
		<category><![CDATA[Independent (Film, Video)]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[casting]]></category>
		<category><![CDATA[ethnic]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[minority]]></category>
		<category><![CDATA[race]]></category>
		<category><![CDATA[stereotype]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[typecasting]]></category>

		<guid isPermaLink="false">http://www.opensourceartistry.com/?p=290</guid>
		<description><![CDATA[One of the big complaints I hear from ethnic actors is the problem of typecasting. A Latina actress friend of mine once told me about the problems she was having with a director. &#8220;He didn&#8217;t have to explicitly say it, but I knew that he wanted me to be that sassy, finger-snapping Latina with attitude,&#8221; [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>5 Tips to Get the Best out of an Onscreen Interview</title>
		<link>http://www.opensourceartistry.com/5-tips-to-get-the-best-out-of-an-onscreen-interview/</link>
		<comments>http://www.opensourceartistry.com/5-tips-to-get-the-best-out-of-an-onscreen-interview/#comments</comments>
		<pubDate>Mon, 20 Apr 2009 19:34:04 +0000</pubDate>
		<dc:creator>Aaron Howland</dc:creator>
				<category><![CDATA[Directing (Film, Video, TV)]]></category>
		<category><![CDATA[Documentary (Film, Video)]]></category>
		<category><![CDATA[Independent (Film, Video)]]></category>
		<category><![CDATA[Journalism (TV)]]></category>
		<category><![CDATA[Producing (Film, Video, TV)]]></category>
		<category><![CDATA[directing]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[producing]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://www.opensourceartistry.com/?p=110</guid>
		<description><![CDATA[Hi, all.  Sorry about the long gap between posts. I’ve had a lot of freelance work lately, so my schedule’s been overbooked.  Things are starting to calm down a little, though, so I’m hoping to post more regularly. Despite the fact that camcorders and digital cameras are commonplace these days, most people grow quickly uncomfortable [...]]]></description>
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		<title>Independent Film &#8212; Pre-Production: Casting</title>
		<link>http://www.opensourceartistry.com/independent-film-pre-production-casting/</link>
		<comments>http://www.opensourceartistry.com/independent-film-pre-production-casting/#comments</comments>
		<pubDate>Sat, 16 Aug 2008 00:02:00 +0000</pubDate>
		<dc:creator>Aaron Howland</dc:creator>
				<category><![CDATA[Acting (Film, Video, TV)]]></category>
		<category><![CDATA[Directing (Film, Video, TV)]]></category>
		<category><![CDATA[Film, Video, Television]]></category>
		<category><![CDATA[Independent (Film, Video)]]></category>
		<category><![CDATA[Producing (Film, Video, TV)]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[casting]]></category>
		<category><![CDATA[directing]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[producing]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://www.opensourceartistry.com/?p=29</guid>
		<description><![CDATA[Moving into the world of serious filmmaking means hiring professional actors &#8212; actors who will bring your story to life and give you the opportunity to have your work taken seriously. Auditioning these actors is a complex process that allows you and the prospective cast members to determine who is the right fit for your [...]]]></description>
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