Writing Articles

Laurence Kardish’s Weimar Cinema, 1919-1933 is an excellent resource for cinephiles new to the German Expressionist film movement and German Expressionist enthusiasts looking for an encyclopedia of films from the genre. The book is broken up into two sections: the first is a collection of essays about the German Expressionist film aesthetic and discusses competing theories of the genre’s origins as well as explanations for the genre’s critical, and sometimes commercial, success; the second is a 150-page catalog containing titles, technical specifications, and summaries of German Expressionist films, as well as still photographs from the productions.

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Much of the artistic process takes place alone. Writers sit alone in a room and type away on a computer or scribble on a pad of paper. Photographers take photos of other people, but afterward, their work is often done alone in a darkroom or on a computer. Sculptors sketch live models, but later they do their three-dimensional work in the solitude of their studios. Regardless of how little human interaction there is during the creative process, though, creating art is inherently a social act.

Some artists are fond of saying that they create for themselves and not for other people, but this is mostly an illusion. Unless the created work hangs on a wall in a private room in the artist’s home, the art becomes a way of connecting with people. Whether it’s a painting in a gallery, a song on the radio, or a book on a library shelf, art’s purpose is to affect an audience—to elicit a response. Sometimes the result is a discussion among academics, and other times it’s an introspective moment in the life of one audience member. Whatever the response, a dialogue has taken place.

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Most experienced WordPress users could spend hours discussing their favorite—and least favorite—WordPress plugins. If you’re still fairly new to WordPress, though, you might be wondering which plugins you really need.

Below is a breakdown of four WordPress plugins that all new users should consider installing. There are a lot more great plugins than the ones listed below, but the following list represents the core group of plugins I find essential to maintaining the optimal health and functionality of a WordPress blog.

BackUpWordPress

With traditional, static web sites, it’s easy to keep backups of all your files right on your own computer. With interactive, database-driven sites, however, the content is always changing, so you consistently need to create new backup files. For instance, if you have a WordPress blog, all of the site’s posts, pages, comments, and registered users are stored in a database on your hosting provider’s server. Because of this, it’s important to make regular backups of everything stored in the site’s database. That way, if anything goes wrong—if someone hacks into your site or your hosting provider accidentally wipes out all your files—you’ll be able to restore your web site with relative ease.

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If you have a WordPress blog on your own web site (not through WordPress.com) you should configure both a robots.txt file and an XML sitemap in order to provide indexing information to search robots.

If you don’t know anything about configuring robots.txt files, I encourage you to learn more about them by visiting http://www.robotstxt.org/robotstxt.html. If you don’t know anything about configuring XML sitemaps, I encourage you to learn more about them by visiting http://www.sitemaps.org/protocol.php.

Below is an outline of special considerations that WordPress users need to be aware of when setting up these files for their blogs.

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There is a fantastic new review of an essay on translating literature over at The Complete Review. Not only am I constantly impressed by the number of foreign-language books reviewed (either in translation or untranslated) over there, but the insight with which he addresses not only the merits of the work but the translation as well. This review deals with a new translation of That Mad Ache by Françoise Sagan, translated by Douglas R. Hofstadter.

What is especially interesting is that the book has two covers—a front and back. The front is for the text, the back, when turned upside down, is the cover of the long essay on translation by Hofstadter included with the text. I haven’t read it, but having read the review I think it’s safe to say that I will likely disagree with his discussion of translation in major parts. I would not translate Bonjour tristesse as Howdy, Blues, and don’t feel the need to elucidate texts as a translator—that is the job of the critic, teacher, or student. In any case, having not read it I was still struck by the magnitude of giving the translator not only so much page space in the book, but his own cover. And, according to The Complete Review, listing him on the front not as a translator but co-author.

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